Saturday 21 November 2009

The Ex Gay Story in the Music Pop World

No one can tell another person who they are at their core.
Yet, every day we accept sticky labels pinned on us by mankind.
We grow up being moulded by society, by families, by friends, by lack of love. The world and our emotions control us, and makes us do strange things. Not many people wonder who they really are. They think they already know. They do not see they are puppets. That no one is living their own life.
I love the above story. It is Giuseppe Povia's story. (Luca) If he is trying to influence people, than he is doing nothing more than everyone else out there. And shouldn't he be free to sing his story. Why do people want to shut him up. Could it be the truth is painful to those who want to keep us trapped? Could it be his story of freedom offends.
What a terrible death sentance mankind imposes on another when it tell them there is no other way of being. Where people claim to fight for their right of choice, real choice is denied to some, who also have another side to a story.

Can I Live

Saturday 14 November 2009

Silent Night


Driving through the wet and crowded streets of Birmingham recently, I realized how stillness amidt chaos, both outwardly, and most especially inwardly, was so vitally important. The importance of being objective to what we see outside ourseleves, and inside ourselves. For nothing is real.


From my area of relative calm, being thrust into the madness of city life, was quite a sudden transition. It was a world I had not visited for a long time. Country lanes had became streets, streets became inhabited roads, roads became motorways. And as we drove into the city, energy and motion threw itself about. As cars edged themselves for prime position, honking horns, and cutting people up; people ran across roads, ran for buses, ran for taxis. Pushing and pulling. All with somewhere to go, but no where to go.


The concert I had been invited to, was something and somewhere I would not normally visit, but I went. And so, sitting in a queue of traffic, I looked over at a blind girl silently making her way through the crowds. She seemed to be walking against an army who were descending on her from the opposite direction. How ironic that the singer we were about to see was also blind. I wondered about their worlds. Were they the same or were they different.


The city was alive with buzz and excitement, and as we walked through the city square we looked up at the lights in the trees. They created a blue soft glow over the fountains, removing the harshness of the concrete. Despite its beauty, I noticed that inside the buildings all around were people working. They reminded me of worker bees in a honeycomb, all in their own particular section, all doing their own small task. Another world.


The concert arena was large and tall. Rows upon rows of red seats. We were like little sardines all squashed in a tin. What would have once caused panic inside, calmness remained. There was a warmth otuside, but it sort of stayed there.


And so, for a few short hours in total silence I listened. Observing not to be drawn into this other world. For this world of music was very beautiful, it would have been easy to have been carried away by that beauty, fancying myself as part of the beauty created. There were touching moments of grace, and of humility, when this man, standing absolutely still, with his arms at his side, smiled as though it had suddenly found a place his audience could not go. Something I noticed about him was he did not seem to gesture or move at how music could have led him, unlike other people who sing. He stood there, quite vulnerable, yet very solid, and it seemed like something else spoke. Was it my imagination, or did he strive inwardly as well, for the same world I have glanced upon. I think so.


I wondered about his blindness. He could not drive a car, he could not see the beauty of nature. It could be frightening. Did his joy come from the music, or did his music and voice originate from a place of stillness inside.


His singing of silent night had a simple quality about it. I looked at the faces of people, and some had tears. Was it emotion, or was it shame.


As we left the arena, and as we drove home away from the scene that night, I wondered about the beauty that had been created, and the silence and stillness about the whole event, for there had been a stillness there.


We have glances of beauty, but how wonderful to permanently live in a place of inward stillness and wonder, not created or designed by the world, but of God.


I thought of the many who would go home, enjoying that night, but looking for the next outward experience. Walking in darkness, looking at lights in trees. Lights. And the blind girl, where was she now. What was the difference. People see, but do not see.
Looking inwardly, being still, and not controlled by the outside, is not easy. Standing still, and being focused on someone higher, who we cannot physically see is not easy.
Going into my home, I sat and prayed. It was silent and still. The bright lights of the city had gone completely. The sense of wonderment remained, glimpses of light not seen by human eyes, but areas of darkness to sit silently in, where questions remained unresolved were still there.




Sunday 8 November 2009

Remembrance Sunday

http://www.thenma.org.uk/content/How-the-names-are-recorded-1405.shtml


Yesterday a friend and I visited Alrewas National Memorial Arboreteun, here in the UK




The Armed Forces Memorial has the engravings of 15,000 names of service men and women who have died through war and terrorism since the 2nd world war. There are bare walls ready to take the names of a further 16,000




Some of the sculptures were very poignant. There is a solidier looking through an open door, as though entering into a different world. If you look through you catch a glimpse of a distant green field. A nurse tending an injured soldier who has fallen. A mother and child in total despair for their husband and father who is being carried from the battlefield. Whilst this is happening, there is a scultor engraving another name.




On the 11th Day of the 11th month, at the 11th hour, the monument is so built, that a shaft of light comes through a fine division in the monument wall, and focuses on the central stone wreath engraved there.




In the chapel there is a beautiful wooden sculpture of Christ. It is entitled The Story Teller. He is talking to 12 children. One of them is not listening. The child is busy investigating something else.




There were two wooden crosses in the chapel to represent the two thieves on the cross. One had a pair of handcuffs hanging from them that were open, to depict he had been forgiven. The other had a pair of handcuffs on that were locked, indicated the thief had not repented.




The volunteers who work there are dedicated and reverent. They are a mixture of very young and old. It would be difficult to say it is a beautiful place, because it is such a sad place. But, for anyone visiting, it is a very peaceful and thoughtful place, most especially for those who have friends and family commorated there.




When we drove away, it was not long before we found ourselves in another world from the place of stillness and reverence we had visited.I cannot say how I felt looking from this place of stillness inside, observing this mad crazy world we live in, they were both identical in many similar ways, but it was most surely a day of thinking about sacrifice, and the importance of focusing on God continually, to raise above the horrors of this world.




The services that will take place here in the UK today, will be remembering all soliders who have lost their lives. Some of it is a little unreal. There are people, who take part, who steal an essence of nobleness and dignity from the rememberance service. They are like the thief with the locked handcuff. But there are many veterans and servicemen today who genuinely do care for the fallen and their families worldwide.